Smokey Mountains

After two days even a shoe starts to feel like home. I don't think I'd yet relinquished the wheel to anyone in my dramatic paranoia of minivan collapse and our subsequent arrests and jailing. Onto Asheville and into the legend that pours forth from the belly of that small city. From what I've heard, art grows on trees here and all along the banks of the sweet whisky river fiddlers and banjo players from high up in the Smokey Mountains sit and sing songs with drunken fish. We're anticipating mecca.
Abi's been here before, at a music camp just outside of town, and knows the ropes. An old friend of hers has set us up opening for his band Sirius B at a bar. The details are fuzzy, are we playing outside then? The sky is like a diamond today and we pull into a dirt parking lot where a lone man unloads a keg from the back of a pickup. Is this the place? And we go around back and, holy shit there's a river, train tracks, a grassy field, and so many local microbrews. Crawford Crews emerges from the bush with his dashing good looks and blue hawaiian with the offer to stay the night in his apartment. We realize the bar is a foodless establishment and are put in the decidedly disconcerting spot of ordering delicious delivery to our picnic blanket laid out in the back.
We meet the band, Pancho is like a tooth pulled from Eugene Hutz, everyone is glowing and friends before we meet. The crowd is surprisingly large but doesn't seem so as they are spread out across the acre or so of picnic tables and lawn chairs. I break two strings during the set, something which starts to happen nightly from this show onward. There a wily blood in the air here and dancing is mandatory, the sun is setting as we finish our set. Sirius B plays out the rest of the night, I mean hours and hours of tunes, everyone is mystic and moved some way or other. Torches in the lawn, the riverrun, the melted companionship of ages gathered out on the dewy grass. Or doesn't believe that things like this happen. We stand by the river and discuss for the first time if this tour was a wise idea. Of course it was, if for no other reason than standing by that river, discussing whether we should be there. Barry's deep in philosophy talks and history rehashing with Crawford. Fernelly's giggling with his shirt off. Abi's dancing with a young granola girl. It's a very thick and sweet evening.
We head back to Crawford's and take up residence on his couch and floor, watching a Snoop Dogg movie that never ends until we one by one wink out and say goodnight.      

The Time Spent Waiting

Our first somewhat lazy day. Awoke midmorning, Abi had taken Minivan Morrison to the river with our host, I think Fernelly is jogging somewhere. Eventually we get hungry and walk into town, eating across the street from last night's show and thinking and there's lots of coffee and cigarettes.
Our original plan had been to breeze up to Charlottesville, where we'll be playing at the Garage that night, and count on the good grace of god to find us a big bed to sleep in. But today we'd been offered another night at the house, should we want to drive back after the show. What a sweet deal. So we laze around and eat more coffee. Eventually Abi gets back from the river and we pack our gear and head on up.
Charlottesville is a very historic-feeling town. Driving around our roads kept ending and we're made to backtrack and there's only one way around here and was that the venue? Large open green of the town proper, and is that statue Teddy Hoover? I know Monticello is around here somewhere, that is that venue!
The Garage turns out to be an actual garage, tacked on the back of a church, next door to a funeral parlor, and it opens directly onto the town green. It's perfect. There are couches on the sidewalk for passers by, but the best seats in the house by far are on the grassy knoll directly across the street. We are the only band playing that evening and as we set up Fernelly decides to do a set to open.
"Are we all packed up, does everyone have their belong-g-ings,
strapped across their ever regretful, shooouuulders?"
He kills it, his rolling voice laying smooth on every part of the air around us, and as he plays a crowd gathers on the hillside. People who heard the sound from across town, people who knew we were coming, people coming out of the funeral parlor, all sorts of people. Old and young, meek and ebullient. We play our set just like practicing in the garage and the response is so warm, so kind, how many lives can you absorb in one night? That man who kept yelling at us is the kindest of all, where are we? They don't all know one another but it doesn't matter through the hopscotch of introductions and a blob of about twenty of us head down the road for drinks. How many names can you remember?
It's a late drive back in the rain for an early start tomorrow. We are little like finger mice getting to bed tonight, not making a peep. But sitting cross legged and giggling in a circle as all the guards are let go for the night and what is the science of emergence? And yes we found a huge stash of money on the dresser, but we're not going to take it, that's not who we are... I'll just count it, you know, just so I know.     

The Settling In

Minivan Morrison was a dutiful steed throughout the tour, though the space : luggage ratio was a bit awkward. We figured out early on the best method of packing would involve building a wall of supplies between the driver and the back of the van, which effectively soundproofed the front from the back. There was just enough space between the rows of equipment for three people, but today we will be adding a fourth en route to Richmond, VA.
I don't know how he fit in the back, there just wasn't enough room.
Today Or remarked that this was our last chance to turn around, and it was true. Once we broke through Virginia it would make more sense to keep going. For a fleeting moment with the madness of the last two nights still awake in me, home was all I wanted. But really, our apartment in Brooklyn was a shit hole and we'd just received word that a sewage pipe had broken in the basement, so I wasn't that anxious to return. We bought omelets at ihop.
Arrived in Richmond outside the Sprout and crawl our clustered bodies out from between seats and immediately outside a man stops us and starts rapping and Fernelly starts beatboxing and there's a recording of this somewhere and skinny means what you're bringing to the table. Exeunt and stash equipment on the stage and our host finds us for coffee and leads us down the road on his wobbling bicycle to his big beautiful house where Abi, Barry, Fernelly and he disappear into the basement for impromptu jam session, leaving Or and I on the porch as the sun sets.
Head to the venue early to take advantage of the delicious free food, great setup here, restaurant, bar, back room with stage, beautiful waitresses, menus on old record sleeves that look like heads. We meet the other band and they're from Queens and we're all wearing suspenders. By the time we play we are full and happy and this feels like we're finding a groove. A sudden a crowd materializes and when we play the reticence that usually takes half a set to break down is thrown asunder thanks to one unwieldy dancer who gets it from the first moment and then everyone is stomping and clapping and encouraging that divided man. You Bred Raptors closes the night and blows our minds, moving against light with a motion just as fast and doing it all in masks, such a wonderful meeting.
We return to the house to find a party in full swing taking place. The room with our suitcases is filled with the half clothed wild eyes of dancing girls and we sneak in and out and have a drink and join some people outside. And at the end of the stairs, the very bottom of the stairs, on the earth, someone is in a fully grown body but staid and arrested on their insides. This isn't an argument, it's something sadder that I refused to expect and don't know how to handle. Maybe best if it's dealt with as a bad smell and we wave it away, move to a different area if this will not leave, no?
Or, poised like a nun, balances the scattered equation and becomes brighter to me.
That's all I recall, I don't know where we slept. But we slept well.      

Awaking

For soothe we slept and awoke like scattered buttons, our pants still wet with the night's rain. The skies had cleared and we made mountains of coffee, kissed our philly lass last goodbyes and got on the road  shortly after noon that day. Only to discover that our second show of the tour, in Baltimore, had also fallen through.
I think we were booked in Baltimore more than any other city, one spot had actually gone out of business a month before an sent me an apology email. Now, en route, a series of half communiques, unreturned calls and emails, and then Abi is suddenly on the horn with someone at the Copycat, but he's getting on a bus heading to Richmond in an hour, fuddle. But we are going this way too, tomorrow morning sir, if you stay Minivan Morrison would happily take you. Agreed. And this was too prearranged to not feel like a miracle.
We arrived on a bridge outside the enormous warehouse that would be our home for the night. Feels like Brooklyn. What warm people, a collective, they are fragile and open, I'm shut up like a clam but can still shudder out a smile. And the space is a dream. We arrange the furniture to face the corner where we'll play. Leisurely we soundcheck and watch the sun sink from their tall windows. Everyone is making phone calls now and another band is booked and a time is set and aren't you hungry let's find food. We crawl out and around the city.
When the people start streaming in and the music starts there is magic in the air, the first band fantastic and poetic and Barry will be doing a set of Trust Fall's songs before we go on. Then, a cry, a bang, and a scutter (just like in the movies) and something has happened. A purse, someone was trying to steal a purse - who's is this? And it's Abi's and her wallet is gone and three take flight out the door to pursue.
Her wallet is found discarded in the stairwell, and in a small victory only the cash has been taken. She, like a knight, steps to the stage and backs Barry as he begins to howl, stepping in front of the mic into the milieu of human, flesh on flesh, acoustic hammer.
Three songs in the landlord calls. He's found out that there's a party and that admission is being charged, the police have been called, he's coming. The show better end immediately or you will be fined, you will cough blood money to me. I have not an ounce of bend in me for landlords. We are courteous and wait while our patrons sort the situation, no one leaves, but it's awkward, the music's gone. My blood begins boiling at this point, such a serendipitous perfect show has just been nixed, and for what reason? We tremble and talk and tremor and turn left and back and left again and in a series of minutes we find our hosts and get the word. The word is fuck it, let's play.
Baltimore oh Baltimore. Seraphim of anger and the disgruntled block of diamond. We played hungrily in your mouth with the resolution to be beautiful forever. You were our first breath, the bleating release of the lamb from its slaughterhouse, a sign for what will happen. We played dark sharp and angry that night, Fernelly and Or like writhing geometric shapes in rhythm. Barry was the trunk of an animal, Abi was glass, I was I but with thorns coming out of me.
We slept that night in the big hands of couches that cradled us like drunken babies.  


     

Leaving

Day won, this past is windswept. We piled high into minivan morrison and left for Philly and the unguessable night that would ensue. Our first show was booked at a house party, somewhere, the details were fuzzy and our previous two bookings had fallen through, so down we went into the stew, our first show a mystery and vague knowledge of a place to stay. The afternoon was beautiful, Or had shaved half of his head, we didn't have insurance on the rental and no one in the van was technically allowed to drive it; but the afternoon was beautiful.
For me this was walking into an idea, we didn't have money, stability or any kind of notoriety, and at this point half the band didn't even know each other... ok, maybe the whole band. But it seemed like a good idea and now it was happening so we get out of Minivan Morrison and we're at our digs for the night and they're getting details on the show and will be the first angels we meet on the road. And our angels direct us a bit outside of the city to what they describe as a frat house that the fraternity owns only to party in. Though that would be a fairly massacre themed party, and it was.
We first met the squatter, who was our guide through the mayhem. He'd been staying there for several months and gave Fernelly a detailed history of the house and Philly through the fisheye. Oh my, the sinks are filled with a pustule pinkbrown with plungers protruding, tags on the walls 'death to cops,' and someone is peeing in the foyer.
We'll be playing in the basement so we haul the hundreds of pounds of equipment, which we would get so efficient carrying, down a tight leaning thin wood stairwell. Below everything is dayglow, pizza boxes and beer bottles and juice cartons from the '90s are cement in every corner of the cellar. Upstairs we hear the rain start, and then the thunder, and then the humans begin to arrive. And the music starts, and we claw at each other like a thousand legged dog trying to figure himself out within the walls and the strobing light and it is so dark and we are so loud.
After we negotiate reloading in the downpour we roll slowly back into Philly only to unload once more into the living room that we realize won't fit all of us. It is late and we are all wounded. Calls are made and a miracle is made and we head down the street with our bags and our big umbrellas into a stranger's den and largess basement and Abi crashes immediately on the sofa as the rest of us find respite and soap in the basement. And Barry and I look at one another and wonder if every day is going to be like this, knowing full well we won't survive, but we're too pissed off to speak. So it's bedtime, and Philly broke us in.

Time to Think

.... grumble grumble.... It burst forth, after millions of years of light! After miles of travail and outer-landish relocation, and bugs in my beard, bottles in my throat, a winding canary mocking me from the ogre tree. But really now, really for the first time again, there is enough semblance of order to make merry on the page. And before forward motion is took, we must reflect. Like the Knight of the Mirrors now, Don Quixote must stand up for his reckoning and make less pillow talk.

                                                                    Tour: Day 1 

Back In NY

We're finally back in NY after our Over The Moon Tour! The tour was a smashing success and has led to all sorts of exciting new things happening, all of which shall be revealed with the goodness of time :)

For now, it's time for reflection. So much was going on in the months leading up to the tour, and the tour itself was so crazy, that I haven't had a chance to think about anything that has happened recently. Let alone keep a tour journal....   

.... a tour journal you say? 

What a fab idea!

We shall begin shortly.

Tour Update!!!

Whew! With all the preparations for our tour I haven't had a chance to update recently.  Here it is, the Over The Moon Tour! 

June 16th: Hughes House Show, Philadelphia, PA

June 17th: The Copy Cat, Baltimore, MD

June 18th: The Sprout, Richmond, VA

June 19th: The Garage, Charlottesville, VA

June 20th: The Bywater, Asheville, NC

June 21st: Depalma’s, Athens, GA

June 22nd: The Crash Pad, Chattanooga, TN

June 24th: The Springwater, Nashville, TN

June 25th: MOTR Pub, Cincinnati, OH

June 26th: TerrorBlurr House Show, Cleveland, OH

June 27th: Woodruff’s, Ann Arbor, MI

June 29th: The Nines, Ithaca, NY

June 30th: Elf Parlor, North Adams, MA

We're already on our fourth day! Sitting in a coffee show in Richmond, VA today watching the rain. Tonight we head over to Charlottesville to play The Garage, then on to Asheville, NC tomorrow. Updates to follow...

Loudvine Writeup!

Thanks Loudvine.com for the sweet writeup! I got teary. ALSO! Tour dates are set for the second half of June and shall be posted shortly... TIMATIM FITFIT – THE WORLD OF CARBON New EP by Brooklyn's Timatim Fitfit is out! Brooklyn, NYC The web keeps opening up all sorts of musical opportunities. Discovering cool, new things;  it is like a scavenger hunt that can end with quite a thrill. Case in point, the pleasure I get  from playing Timatim Fitfit’s ep! Call it whatever you like… baroque, folksy, intriguing,  whimsical, fun. But one thing is certain, I am fired up that this music has made its way into my life.

Royal Albert Hall Revue @ Knitting Factory etc.

What a week...

Last Tuesday (the 10th?) Timatim Fitfit played Pete's Candy Store with an extra spicy drum kit complete with a battered bucket, glass of beer, and dented music stand - but no cymbals! Or is the king of rhythm and made it work... once he had nothing to play but pieces of a motorcycle and still made it happen...

On Friday night Abi and I accompanied Barry at the Goodbye Blue Monday premiere of his project Trust Fall. It was amazing, to see a rowdy friday night room full of people become absorbed in songs they'd never heard before... This was a very special evening.

Saturday we played in the backyard of an amazing Art/Music happening hosted by James "Jumbo" Walsh who runs a Queens arts collective by the name of Quarc. Wow, the bands that night were incredible. To name a few: Juviley, Luke Folger, and The Forms.

Then on Tuesday we played the Knitting Factory's Royal Albert Hall Revue in celebration of Bob Dylan's birthday... which was really fun and hilarious! It was a dream to play the Knitting Factory, however afterward I was approached by one of the other bands who were convinced I actually hated Dylan... which I think means our show was a success :)

 Check out our take on Maggie's Farm:

Help Us Go On Tour! The Kickstarter Project Has Begun....

We're trying to raise funds to send Timatim Fitfit on the road for two weeks this June. Any and all donations come with lovely gift items and a lifetime of gratitude from everyone in the band!

Footage From Pete's Candy Store On YouTube

No How is up on YouTube, lovely footage courtesy of Diana Paz Takagi! Thanks lady!

Knocks From The Underground Review!

This is my favorite review of all time, excepting that they got my last name wrong, but what's in a name...

 ;-)

http://www.knocksfromtheunderground.com/ny-bands/2011/5/2/timatim-fitfit.html

words by Sam Houghton

From the high-decibel wails of Tim Cuff’s vocal chords, it sounds as if at one point in his life he had wandered the mean streets of Russia, drinking heavily and composing theatrical numbers in his head. But somewhere along the line the locals failed to appreciate his sounds, so his muse turned towards sad themes and cheap drink with a joking front.

Back in Brooklyn on the stage front and behind his keyboard, Cuff’s persona seems like the village clown, tanked on booze, tattooed with mocking smiles and howling in his erratic but trained voice. Live and recorded, the music he composes as Timatim Fitfit, his five-piece band, his muse transcends into a sort of goofy Russian opera. The band has a traditional folk vibe with soft drums and the main leads coming from Cuff’s piano and a very Fiddler on the Roof fiddle. But underneath this goofy front is a genuine sadness, like Cuff understands the life of the vagabonding bard, a sort of sensitive village drunkard in some late Irish Novel. The genuineness gives the band a dynamic that sets them apart from a mere Cake cover band and into one with form and a solid point. The best songs Timatim Fitfit has to offer are “All The World of Carbon” and “No How.” It is important to mention that in the background of “All The World of Carbon” there is a backing vocal that brings the music to an almost trendy new level. It has strong traces of Fleet Foxes and is delightful to the ears.

AIDS Walk Benefit This Thursday!

We're going to be opening for some awesome bands this Thursday at Crash Mansion at the AIDS Walk Benefit! Big thanks to Sally Hall for the invite, let's make some $ for the cause! (Also, there's a free vodka bar.... added bonus!)

Check out details here:
AIDS Walk Benefit April 14th @ Crash Mansion

Timatim Fitfit @ Pete's Candy Store

My band's gonna be playing Pete's Candy Store in BK this Thursday at 9pm.

I hear the beer is sweeeet there...

No How Is Dancing

A fine man named Daniel Schwarz has created an interactive dance performance to my song No How. But that's not all ... in his words: "I built this street organ kind of thing ... Everyone in the audience could play it and control with it the song speed and in that way the visuals and the movement of the dancer." How fucking awesome is that? You can see pictures of the organ and his other works at the link below.

AXIOM.3 - No How from Daniel Schwarz on Vimeo.

Hektor Elizabeth Sandalwood

Our new roomy ... we found him set aside and balding in a junk store ... no squirrel deserves such a fate.

Here's Mirror getting acquainted with her new buddy.

This year's holiday tale

Found this in my girlfriend's basement - a christmas story!

A Dream of Bushwick

The lovely people at the Bushwick Dream gave a lovely review of No How ...  

http://www.thebushwickdream.net/news/s/258

Galoshes 

Addendum

Also, if the Jimmy McMillan reference is unfamiliar to anyone, watch below. Good company.